Kurt Pankau Dot Com

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YMMV: Don't Show, Don't Tell, Cue

🎱 Thick Smoke, See Her Smilin' Through... We've all heard the adage: "Show, don't tell." It is, if we're being completely honest with ourselves, a bit over-deployed. It's mainly aimed at the kinds of new writers who think describing events is the same as telling a story, but once you reach a certain level of craft proficiency, you realize that showing versus telling is more about the trade-off. To show something is more engaging, but to tell is more expedient. Sometimes you "tell" in order to preserve pacing. Sometimes you "show" because you can make it into an amusing bit. But sometimes it's best to just do neither... Don't Show, Don't Tell, Cue So why is showing-versus-telling even a thing? The reason has to do with something I talked about in the last post: backstory. Backstory, for the uninitiated, is the necessary context for your story that isn't actually a part of the main plot. This can be everything from world-

YMMV: No One Wants to Read Your %@$# Memoir

🤐 I'll Never Forget About Larry... As I've mentioned a few times, I work with a lot of new writers, and something that happens not-infrequently is that someone has joined the group because they want to write their memoirs. And I'm not one to talk down to someone who wants to develop their craft as a writer. If someone just wants to collect the stories of their life and are planning to self-publish it and only their family is going to read it (but I repeat myself), that's fine . But if you are actually hoping to make some money from your writing, there's something you're going to need to come to grips with... No One Wants to Read Your Goddamn Memoir Before the pedants descend upon me, let me acknowledge that the words "memoir" and "memoirs" mean different things even though most people use them interchangeably. Technically a memoir is an individual story, and a memoirs is a collection of them. I tend to use whichever word feels right in the m

Announcements: A.I.,M.D. (reprint), 4th Street Fantasy, and A PIN DROPS

✒️ But I Want to be a Paperback Writer... Hey all, couple of things coming up that I wanted to throw at y'all. A.I., M.D. has been reprinted in the Spring 2024 Dragon Gems Anthology . This story about a misanthropic medical robot originally ran in Unidentified Funny Objects Vol. 8 . Next weekend I will be attending 4th Street Fantasy and will be appearing on the 10:00am Sunday panel Dwelling on Redemption alongside Aja McCullough, Aimee Kuzenski, Vivian Shaw, and John Wiswell. If you're there, come say hi! A new story called A Pin Drops is in the June issue of Flash Fiction Online . It can purchased through their website, and it will appear for free online later this month. It is--hands down--the strangest story I have ever sold. Is it funny? Yes. Is it traumatizing? Also yes. Which is more prominent? I will leave that as an exercise for the reader. Thanks, ]{p

YMMV: You Aren't Funny

🤐 Boy, What a Joker, What a Funny, Funny Guy... There's a lot that goes into telling a joke. Picture yourself at a party, standing around the kitchen, shooting the breeze, and then people start trying to make each other laugh with jokes. It's your turn--all eyes are on you. So you start with the setup. You're hamming up the absurdity a little, and you're taking note of how your audience is responding. If they're enjoying it, you lean in and stretch things out. If their attention is flagging, you move ahead more quickly. You're gesturing, you're doing voices, and you're building up to the big finish. And then you get there. You pause for emphasis. While you deliver it, you raise your voice by a few decibels so every knows that this is the punchline. And the people laugh. They reward your effort, because, as noted above, there's a lot that went into telling that joke. Now throw all of it away, because none of it works on paper... You Aren't Funn

YMMV: Stop Bashing Popular Things

🥊 'Cause I've Still Got a Lot of Fight Left in Me... Some months ago I found myself in a bar sitting between two groups of people involved in separate conversations. On one side, someone was talking about how Hamilton is overrated. On the other side, someone was talking about how the CW show Supernatural is overrated. Now, I'm a huge Hamilton fan, but for some reason the Supernatural conversation grated on me more. Because I'm pretty sure that show is exactly correctly rated. No one watching Supernatural after fifteen seasons is under the impression that this is high art. It is monster-of-the-week melodrama. But, it is exactly what its fans want, and they enjoy it exactly for what it is--which is why it ran for fifteen seasons! Now, I've never seen it, so I can't personally attest to the quality, but the point remains... Stop Bashing Popular Things I promise, this will eventually circle back to craft. When E. L. James's Fifty Shades of Grey hit the

Geekway to the West 2024 Redux

🎲 It Might Feel Good, It Might Sound a Lil' Somethin'... It's the middle of May, and that means Kurt has once again devoted an entire extended weekend to discovering new board games and socializing with people even nerdier than I am. There was a lot of stuff in Play-and-Win that was new to me, and here they are! Barcelona This one I'd seen at Geekway Mini but hadn't been able to get time on. It's a medium-to-heavy weight tile-laying game about the "Eixample" district of Barcelona that was built in the 1860s. You draw two tokens every turn that represent people in the upper, middle, or working classes and place them in the neighborhood in order to trigger game effects. Then you erect buildings based on which class of people are at the intersections. There are some side objectives you can use to gain more points, a cobblestone board you use to expand storage, a trolley to manage, intersections to build... it's got a lot of moving pieces. It's go