Skip to main content

100 Albums: "Evil Friends" by Portugal. The Man

Kurt is going through his favorite records. Read the explainer or view the master list.

Artist: Portugal. The Man
Title: Evil Friends
Released: 2013
Genre: indie alt-rock (as produced by Danger Mouse)


As one might guess from a rock group who put a period in the middle of their name, Portugal. The Man are big on weirdness for its own sake. For this album, the Alaska-natives collaborated with art-house mega-producer Danger Mouse, best known (probably) for being the member of Gnarls Barkley who wasn't CeeLo. Did this collaboration work?

Reader, it did. Danger Mouse's hip-hop-but-vintage sound and sensibilities temper PtM's more out-there impulses to great effect. What results is an album that is off-kilter and driving, but still catchy and groovy. The sparse arrangements give the music room to breathe--much more so than you typically associate with a rock act--and every single song on this record is an ear-worm, none so much as the infectious title track.

There is not an ounce of fat on this record. There are no extended outros; there aren't even unnecessary measures to get a break to four bars. Even at nearly fifty minutes--long by 2013 standards--the album still manages to feel tight and taut. It never meanders or kills time. It's just a great listen from start to finish.

Further Listening: The much-delayed follow-up Woodstock contains PtM's only other (to my knowledge) collaboration with Danger Mouse, the monster radio hit Feel It Still. The rest of the album is good, but veers more into dreamwave and wall-of-sound territory. It took a few spins to really get under my skin, whereas I was in love with Evil Friends from the first chorus. They have maybe half a dozen albums before EF, but nothing I've heard from those records stood out.

Comments

Popular posts from this blog

On Getting Laser Eyes

Last week I got Lasik. I was looking forward to not having to deal with glasses getting smudged by my kids or slipping off my face. I figured that not needing them would be pretty convenient. However, the words I heard over and over from other people who'd already done it were: "life-changing." That seemed to be overstating a bit. Convenient, yes, but life-changing? I didn't get it. I get it now. I've had some kind of vision correction, either glasses or contacts, for the last thirty-odd years, which is nearly as far back as I can remember. And what I hadn't realized was the extent to which this had become part of my identity. It's not that I thought glasses were cool because I wore them--although I did and they are. It's that the ability to see was, for me, artificial and temporary. And my vision was pretty bad, so my natural state was one of... not so much "blindness" as "isolation." There was a layer of vagueness that sat bet

Sentinels of the Multiverse: Definitive Edition: A Thoroughly Unnecessary Review

 Time to save the multiverse A couple years ago I was blogging about my love of tabletop games and described Sentinels of the Multiverse  as being either my first or second favorite, depending on what day of the week it was. Then last year they announced a new "Definitive Edition" of the base game with expansion content to follow. This would be a ground-up rethinking and rebalancing that would, amongst other things, be mostly incompatible with the existing content. Of which I have a lot. This has been a "shut-up-and-take-my-money" IP for years now, so it's not like I  wasn't  going to buy it, but I was at first trepidatious. I mean, was this even necessary? And then I saw an interview with the creators where they talked about what they were trying to accomplish with the new edition, and I was on board. And then the Kickstarter launched and more information was available and I got excited. After all, as I mentioned in the above-linked write-up, the oldest Sen

100 Album: "Game Of Thrones Season 3 Soundtrack" by Ramin Djawadi

Kurt is going through his favorite records. Read the  explainer  or view  the master list . Artist:  Ramin Djawadi Title:   Game Of Thrones, Season 3 Soundtrack Released:  2013 Genre:  DAH duh, duh-duh-DAH duh, duh-duh-DAH duh He's not as big a name as Hans Zimmer or John Williams or the various Newmans out there, but Ramin Djawadi is easily the most interesting composer working in television right now (with due respect to Bear McCreary). Soundtracks, especially television soundtracks because they're produced so quickly, have a tendency to serve more as a wall of atmosphere than anything else. But Djawadi's work here and on Westworld  has generated some amazing musical themes. There's a strong undercurrent of leitmotif informing the way the music flows together and the themes those motifs are built around are damned  catchy--which you know if you got the joke in the genre description above. While all of the soundtracks for GoT  are very listenable, this is m