I'm pleased to announce that I will have a short story titled "Alienation" appearing in the December issue of NewMyths.com. Stay tuned here for more information. Or, you know, subscribe to them. You do you.
Last week I got Lasik. I was looking forward to not having to deal with glasses getting smudged by my kids or slipping off my face. I figured that not needing them would be pretty convenient. However, the words I heard over and over from other people who'd already done it were: "life-changing." That seemed to be overstating a bit. Convenient, yes, but life-changing? I didn't get it. I get it now. I've had some kind of vision correction, either glasses or contacts, for the last thirty-odd years, which is nearly as far back as I can remember. And what I hadn't realized was the extent to which this had become part of my identity. It's not that I thought glasses were cool because I wore them--although I did and they are. It's that the ability to see was, for me, artificial and temporary. And my vision was pretty bad, so my natural state was one of... not so much "blindness" as "isolation." There was a layer of vagueness that sat bet
Kurt is going through his favorite records. Read the explainer or view the master list . Artist: Ramin Djawadi Title: Game Of Thrones, Season 3 Soundtrack Released: 2013 Genre: DAH duh, duh-duh-DAH duh, duh-duh-DAH duh He's not as big a name as Hans Zimmer or John Williams or the various Newmans out there, but Ramin Djawadi is easily the most interesting composer working in television right now (with due respect to Bear McCreary). Soundtracks, especially television soundtracks because they're produced so quickly, have a tendency to serve more as a wall of atmosphere than anything else. But Djawadi's work here and on Westworld has generated some amazing musical themes. There's a strong undercurrent of leitmotif informing the way the music flows together and the themes those motifs are built around are damned catchy--which you know if you got the joke in the genre description above. While all of the soundtracks for GoT are very listenable, this is m
Kurt is going through his favorite records. Read the explainer or view the master list . Artist: Cake Title: Fashion Nugget Released: 1996 Genre: lo-fi indie alt-rock There was a summer when I was in college that I spent every spare minute playing Super Bomber Man on the SNES and listening to Cake's Fashion Nugget (and one other album that I will get to shortly). Cake broke in the late era of grunge with The Distance , a--ahem--driving song about a man racing to get back to his love, or something like that. The metaphor was unclear, but the song was catchy as hell. They followed it up with a cover of I Will Survive that was much more indicative of Cake's sound: lo-fi vintage guitar, a lead trumpet, John McCrea's deadpan just-off-rhythm singing and sarcastic lyrics, and Victor Damiani's frenetic bass-playing. Fashion Nugget was independently produced under the ethos of "if you can't make it sound clean, make it sound dirty in an interesti